Aishwarya Rai attends the screening of ‘Slack Bay’ at the 69th Cannes Film Festival at Palais des Festivals on May 13, 2016 in Cannes, France.
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Aishwarya Rai attends the screening of ‘Slack Bay’ at the 69th Cannes Film Festival at Palais des Festivals on May 13, 2016 in Cannes, France.
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Slack Bay premiere, Cannes 13.05.16
Blake Lively attends the “Slack Bay (Ma Loute)” premiere during the 69th annual Cannes Film Festival on May 13, 2016.
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Aishwarya Rai attends the screening of ‘Slack Bay’ at the 69th Cannes Film Festival at Palais des Festivals on May 13, 2016 in Cannes, France.
Blake Lively wearing Vivenne Westwood in Cannes.
Blake Lively attends the premiere of Slack Bay at Cannes Film Festival
Kirsten Dunst in Gucci
Premiering in the Un Certain Regard section of this year’s Cannes Film Festival, The Dancer is an impassioned if formally conservative portrait of Loïe Fuller (née Marie Louise Fuller), a pioneering figure in modern dance from the late 19th century. It resembles La Vie en Rose, another prestige period biopic about an esteemed French artist, for never breaking cinematic ground but proving well-crafted from top to bottom, ably weaving personal turmoil from an artist’s life into their stage legacy.
In the first half-hour of the film, we get a quick rundown of Fuller’s life before she stepped onto Parisian soil to find where she belonged. Born to a French immigrant father near Chicago, Marie Louise (Soko) is a sturdily built girl who has no trouble helping out on a rodeo or traveling cross-country by herself — which she did in the wake of a tragedy and landed in New York to stay with her American mother at a strict, convent-like community. One thing led to another and soon her path crossed with dashing French aristocrat, Louis (Gaspard Ulliel), who eventually became her ticket to Paris and a career as Loïe the world would later know.
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